Category Archives: Counted Stitchwork

SBQ – Behind Again

Well, I’ve pretty much given up trying to stay on time with these questions, but fear not they will eventually be answered. I have two for you today:

How do you feel about staying totally true to a pattern? Do you feel that you have to rip out stitches to fix a mistake or do you feel itโ€™s acceptable to incorporate a mistake into the design?

Some stitchers answered this question as two questions, and I kind of interpreted it the same way. As far as the first part goes – I am reasonably comfortable making colour changes or small design changes to a chart, though I’ve done nothing major yet. However, I don’t think that’s the major question here. I think the question is actually about fudging. If I make a mistake, usually I rip it out and fix it. If it’s only tiny, like a missed stitch or two, I might fill the stitches in with a similar colour when I’m in the area. But if it’s a real error, usually a counting error (which is why I grid), I’ve learned that it’s best to bite the bullet and go back, no matter how long it takes. I am bad at fudging. Bad, bad, bad!

Do you always sign your projects? If not, why? If so, do you use your first name, initials or what?

I’ve only signed two projects. One, the ornament I stitched for Danielle, has our initials on the back, but it’s more as part of the design, like a sampler, than a ‘signature’. I have no problem with that type of ‘signing’. The other is a piece I stitched for my Dad. He likes to sign books when he gives them as gifts, so I knew he would appreciate me putting my name to my stitching. He did. But I didn’t really like it – I just backstitched my initials and the year in small-type, in a pale colour found in the design, but to me, whenever I look at that piece on the wall, my eye is drawn immediately to the signature, and it’s not really a part of the design. I do like some people’s stitched signatures though, and perhaps one day I’ll change my mind, and design something I like better.

Belated HDs

I started my day with a wonderful package from Annette this morning. Poor girl must be quite sick of me – not only was I her partner for a whole year in the Seasonal Exchange, but then by chance she drew my name in the SBEBB Christmas Ornament Exchange as well :giggle: Anyway, the ornament she’s stitched for me is quite lovely, but will have to wait for another day (maybe tomorrow?) when I un-lazy myself for long enough to find the digital camera.

But.

SBEBB_Red1

It did remind me that I have been remiss in posting my own Exchange happy dances. So here we are. First up, here is the cushion I made for Annemiek in the Redwork Exchange. While I adore the design and the effect, I’m not sure I love stitching in one colour, there’s little to relieve the tedium. The fact that I stitched it in silk helped a little though ๐Ÿ˜‰

SBEBB_Xmas2

Nextly, we have the ornament I stitched for Danielle. This is the Prairie Schooler ornament from the 2005 JCS Ornament Issue (thanks again Cathy ๐Ÿ™‚ ) I really love the colours in this, and despite some curse words being muttered as I did the finishing (I cut the matboard insert a little bit too large, and a little bit skewiff), it turned out very nicely, if I do say so myself!

See… I do stitch! ๐Ÿ˜›

Watch Out For Your Wishlist!

Loved this quiz – found it on Jo’s blog, but it originally came from Anna. The questions must be answered with cross-stitch charts. This is a dangerous exercise though – I think my wishlist grew by half as I looked for all my answers :giggle:

1. Are you male or female? New Graduate Girl (Pinn Stitch Kits)
โ€”well… almost :giggle:
2. Describe yourself: Child of Spring (Victoria Sampler)
3. How do some people feel about you? Gotta Love a Stitcher (Bask Designs)
4. How do you feel about yourself? I Know All About Stressed (Twisted Threads)
5. Describe your love interest: Tech Support (Calico Crossroads)
6. Where would you rather be? Fly Me to the Moon (4 My Boys)
7. Describe what you want to be: The Fortunate Traveler (TW Designworks)
8. Describe how you live: Plain and Fancy (Barrick Samplers)
9. Describe how you love: Straight From the Heart (Annalee Waite Designs)
10. Share a few words of wisdom: Clean Your Ears (Calico Crossroads)

Morsels

Morsel 1
So apparently by the time I posted last night, the ‘incompetents’ had actually won the match on a penalty shoot out and “we’re” going to the World Cup. Yay us. Aussie Aussie Aussie, Oi Oi Oi. There. No one can accuse me of being un-Australian now ๐Ÿ˜‰ The most amusing thing for me is that OtherHalf fell asleep and missed the excitement. Ha!

Morsel 2
We have a washing machine! The guy who installed it raved on about the brand as he ran me through the workings of this new model. I rolled my eyes. I must say though, I am honestly happy with the larger size, despite what we’ve been through to get it. It seems the company will only honour the original warranty, which expires in August ’06. That’s what I expected, but it would have been nice to have a few months added to the warranty in compensation, if not an entirely new warranty for the new machine. But hey.

Morsel 3
Last week’s SBQ. I can’t really flesh it out enough to be a post of it’s own, so:

When comparing large projects versus small projects, which do you get more excited about finishing?

Without a question, it’s large projects for me. I like finishing small projects, for sure, and they certainly make the numbers add up faster. But for me, nearing the end of a large project (and I’ve only finished two) brings a tangible excitement, and once I’ve actually finished, I find I can’t tear my eyes away from it for at least a week!

Morsel 4
Want to know what made my day today? I retrieved a man’s walking cane for him as I waited in a checkout line… and he responded with “Thank you, my lady”. My lady! That is 500% better than ma’am. Which I hear all too often… and it’s been far too long since I heard a ‘Miss’. I say we return to ‘milady’, and to hand kissing and jousting for favours, too! What fun :giggle:

Morsel 5
What didn’t make my day today was a $50 parking fine. OK, my own fault, I deserve it. I thought I looked at the parking sign, but I somehow saw only the time restriction, and not the fact it was paid parking. D’uh! I was at a perfectly wonderful toyshop while unwittingly parking illegally, but somehow my toy shopping expedition feels a little tarnished now ๐Ÿ™

Morsel 6
Lastly and leastly, though I answered her already, the answer to Cathy’s question of a few posts ago is that I am due June 20th. Just reached the 9 week mark this week. I would put a countdown over on the side bar there, but I don’t want to be tempting fate just yet, no no no.

Winter’s Lament

I keep on mentioning this, but it’s finally time. I finally have a moment to introduce you to my unfinished darling. Winter Queen, by Mirabilia.

This is one of the designs that started it all for me, really. In early 1998 I purchased Garden Verses and Winter Queen. I believe Garden Verses came first. This was back in the days when Lincraft stocked a better range of cross stitch supplies. Had they never stocked Mirabilia, I may never have caught the bug, because Home-Sweet-Home stuff just doesn’t appeal to me (though my taste has since evolved to include an eclectic range).

I started Garden Verses first, but if you remember, that start was doomed. Not long after that, I discovered to my delight… an LNS! I seem to have outgrown that same store now; most of my stash arrives by mail. But back then, it was a magical haven of all things new and glorious. I discovered linen came by the metre, not just in pre-cut pieces wrapped in plastic. After the Garden Verses debacle, that was a huge relief. I purchased some fabric, floss, and beads, took my bounty home, attached the fabric to Mum’s old tapestry frame, and started with enthusiasm.

Everything went swimmingly from the crown down to the waist. When I hit the endless blues and whites of the gown, I stalled. A lot. Over the years between then and now, WQ has re-emerged a number of times, been worked on some more, and then banished to the cupboard once again.

When I really became assimilated into the world of stitching – late 2001, early 2002, I decided that I really should finish WQ before getting crazy with too many other projects (ha!). I pulled her out again and did a lot more on that gown. Then I realised she had bigger issues, and that I didn’t really know what I would do with her if I did finish her. Let me explain:

Fabric colour
Why, oh why did I choose cream linen for this beautiful design that needs white. Or antique white, at the very most. Cream! This is far and away the worst problem, I just don’t like her on this fabric.
Dye lot differences
Hmmm. I have since learned my lesson – buy all the floss needed for a design at the same time. The dyelot differences in the a few of the floss colours are seriously noticeable. For me to be happy, I’d have to unpick a lot of stitching and restitch with one dyelot. Just quietly… that’s not going to happen!
Dirt
Yep, and lots of it. Poor stitching practices (holding onto the scroll bar where the fabric was attached) plus poor storage over a long time, have caused the cream fabric to become really dirty, not to mention a lot of the white stitches now look cream as well. Yes, I know about Orvus. Trust me, I’ve tried everything on this baby. Orvus, Napisan, Woolwash (yes, I know I shouldn’t). Even… {shock, horror}… the washing machine. Yep, I threw her in our front loader, beads and all. ‘Twas for nought though, she’s still just as dirty. The white areas could be frogged and restitched… but see above for how I feel about that. And as far as the fabric goes, well I don’t think it could be fixed at all. Possibly it could be hidden by a close mat if it were ever framed.

So. That’s what’s wrong with WQ. If you’ve made it this far, you deserve a prize. That’s her. I know, she looks not so bad in that pic. Trust me, all those problems look worse in real life.

She weighs on my mind a lot. For a good long time, I felt that if I didn’t finish her, I wasn’t a real stitcher. I finished a lot of small stuff, but nothing big, until Celtic Christmas, and more recently, Waiting For Ships. Finishing those two, and particularly WFS, has eased my mind a little. The other reason I think about her a lot is that I do still really like the design. But restitching the whole thing does not thrill me one bit, given how far I got. So if I turf her, it is very likely she won’t ever hang in my home. But if I don’t turf her, she’ll still never hang in my home. So you see my dilemma!

SBQ Catchup Part 2

Here’s the remaining two SBQs to bring me up to date:

Have you ever stitched something as a gift and later realized that receiver doesnโ€™t respect your stitched gift a bit (for example itโ€™s never on show, or you have other reason to suspect that it may even be nonexistent or at least placed in some dark storage room corner)? If so, what have you done? If youโ€™ve been lucky enough to avoid such people what would you do if itโ€™d happen to you?

I have been very selective in my choice of giftee. Other than immediate family (and then only those who I know would appreciate the value of a stitched gift), only a few friends who are also stitchers have received a stitched gift from me. None of the gifts have ended up in dusty corners or been otherwise ill-respected. I have a few more people to stitch for, but mostly I’m happy to stitch for myself. I wouldn’t want something I spend so much time on to be thrust away disdainfully, that’s for sure. I think if that happened, I’d secretly kidnap the piece back!

And finally:

If you have stitched for a while, can you usually pick out the DMC colors you need from memory when you go to your LNS? (For example, you know that 610 is a brown.)

Well, white, ecru, 310 and B2500 are not a problem, of course. And I would know 3041 and 3042 if I chanced upon them in a dark alley! I could probably identify a handful of other colours commonly used by Teresa Wentzler as well. But if I had a shopping list and left it home, I would be bound to forget what was on it. I have a spunky new PDA now though, so I’ll never be leaving my shopping lists behind again!

SBQ Catchup Part 1

Hoo boy… I am a little bit behind on these questions. Here goes:

How do you โ€˜non-hoopistsโ€™ who use a rotation system handle it (as it seems to be lot easier if you are in good terms with hoop)? Do you have several scroll frames? Do you use Q-snaps or maybe something completely different? Or do you just have one or two big projects and others are small enough to be kept in hand while stitching?

I am a very happy Q-snapper. I have all the sizes (and two sets of 11-inch, which I like the best), and they do the trick very nicely, when rapid changeover is required. I will never ever use hoops again, as I am not dedicated enough to remove stitching from the hoop regularly, and I have a few small pieces with irremovable hoop-marks on them.

I only stitch in-hand for very small pieces like ornaments, can’t seem to handle anything more than that.

Oh, and a confession – I also have multiple scroll frames! Before I discovered Q-snaps I tried to find a scroll frame system I was happy with. I love the look of scroll frames, Q-snaps are a little, well… plumber’s pipe in appearance, aren’t they?! So I have two cheapy scroll frames and also a very nice set of Lokscrolls from Artisan designs, which are great, but I can’t manage to get the tension I like, using these. So I Q-snap. Someday I will sell off the hardware I don’t want!

Here’s another:

Do you mark or hi-lite your patterns or can you follow them without any markings? Do you make copies to mark up, or do you mark originals?

Um… follow without markings? Ahahahahahahaha! Um… no. I can’t do that. I am a highlighter. I don’t like to mark the originals (I suppose I could trade them afterwards, but really, I’m just a collector, and I like my collection to be in good condition). So working copies are my thing, and whatever highlighter colour I have to hand. Once upon a time I marked up the copies with pencil, but on more than one occasion, stupidly stored the pencil-marked copy with the WIP and ended up with stubborn pencil marks on floss and fabric. So far, touch wood, I haven’t had any disastrous highlighter incidents. I think Finn knows what Mummy would do if he drew on my stitching :giggle:

Meep

The sound you hear is me emerging from under my mountain of notes and textbooks, to discover myself still stuck beneath mountains of boxes in the new house.

Yes, we’ve been here for 2 weeks and it looks frankly worse than it did on the day after we moved in. A lot of stuff has been unpacked, but a lot of boxes are only half unpacked, in the frantic search for this-that-or-the-other, which leaves us with M-E-S-S ๐Ÿ™ I’d like to say I’ll get on top of it soon, but health-wise, things are kind of difficult at the moment. I’m feeling really good for only a few hours in each day, and I’m trying to spend those playing with Finn, lest he nominate me for world’s worst mother:giggle: (And after I accidentally opened a door in his face the other day, believe me, I’m in the running. Poor kid :ouch: ).

I did finally get my redwork exchange piece finished and off in the mail, only a day late. I’m feeling somewhat anxious about the finishing of the piece. Not what it is, but what colour it is (hint: not red). The rules didn’t say the finishing should be red, but the other finishes I’ve seen already are all red. I just didn’t find a red fabric that worked for me, and what I chose does make the redwork stitching stand out. I just hope it is well received, because I like it ๐Ÿ™‚

Now on to doing my Christmas ornament exchange. Huge hugs to Cathy for the 2005 Just Cross Stitch Ornaments issue – I love a lot of the ornaments this year, so I’m going to try and settle on one from there to stitch.

Not much else in the works at the moment, due to the feeling-like-crap thing. Sleeping is high on my list of priorities, that’s for sure. Will try and be around a bit more often though… I’m missing blogging, and feel like I’ve dropped out of the community a little bit in the past weeks.

Secrets & SBQ

I happy danced today, for the first time in a while. (Actually, I prematurely danced for this piece two days ago on the Rotation BB, but I had some finishing touches to apply.) I’m also very, very close to another HD. Unfortunately, I can’t share either one with you ๐Ÿ™ So you’ll probably think I’m making it up or something, and that I don’t really actually ever stitch. Not true, not true!

The piece I finished today was a lot of fun to stitch, and very quick. I’d forgotten how much fun little stuff can be. Next year will be the year I finally start a rotation, and I’m definitely including small projects amongst my favoured ginormous ones ๐Ÿ™‚

Which brings us to this week’s SBQ:

When you have almost finished a pattern and start thinking about the next one to stitch, how do you select it? (a list, most recent purchase, etc.)

When I’m stitching anything, I always seem to be wanting to stitch something else. This is why a rotation so far hasn’t really worked for me – I’m a screamer! Also, because I mostly stitch large projects, it seems I never finish anything. So while I probably should move on to an existing WIP when I finally have a finish, I usually don’t. I usually like to reward myself with a new start, because there’s nothing in the world like a new start!

My one bit of discipline is I don’t let myself start something similar to a current WIP. So if I already have a large TW, a large Mirabilia, a large Patricia Allison, and a large whatever else design on the go, I won’t let myself start another something large from those designers until I finish the one I’m working on. So lately, if I have a finish, I’ve been looking to start something smallish from my kitted up stash. While I don’t have an enormous backlog of fully kitted projects, I do have a nice selection, and I’ve got a few smaller projects waiting in the wings.

Ultimately though, what dictates what I start is a wallow in my stash. I love that – I go and put away whatever I’ve used for that finished project, and play in all my stuff for a while, and something usually jumps out and shouts “stitch ME” :giggle: Often I want to start something I’ve been given – if purely to prove to the giver that yes, I do actually want to stitch what you gave me ๐Ÿ˜† I have a few charts in that category right now, and I of course want to start them all, right now!

Le sigh.

Wish I was stitching…

Thrice a Quitter

Looks like in my haste, I misread the SBQ for this week. It is not, in fact, time to introduce you to my UFO after all! The question, in fact, is this:

Have you ever just quit a project while in the midst of it? (Weโ€™re not referring to UFOs here, rather projects that you know that youโ€™ll never work on again.) Why? What did you do with it – throw it out, give it away, put it away?

Yes. Yes I have. Two, in fact. No, wait… three. Before I really got into stitching, I had a few false starts. Partly due to my tendency to jump in the deep end instead of starting small ๐Ÿ™‚

The first chart I ever bought myself (this is probably 15 years ago, or thereabouts) was Teresa Wentzler’s Summer Carousel Horse. This must have been back around the time when DMC had a dye change in the range of grey colours that the horse is stitched with. (I know that now!) So I took my aida, chart and floss home, and made an enthusiastic start. I stitched only about a square inch’s worth before I realised my fabric was not big enough – I think I had a piece the size of the design, no extra. So I chucked that piece and started again. Once again, I only stitched a little before I realised something was not quite right. The greys I had didn’t even seem to be in the same colour family. Some were more blue than others. I didn’t really know what was going on, but it discouraged me so much that I ended up putting that second start away for a long time. When I got into stitching again a few years back, I pulled that project out and binned it, and sold the chart on ebay. I still like the carousel horses (I now have the booklet with all four of them in), but I have so much more to stitch before I want to go back and try stitching one again!

My second bin-it project was similar. I had purchased Mirabilia’s Garden Verses, and a pre-packaged fat quarter of Belfast linen to stitch it on. Again, I started enthusiastically, and part way into the border, realised this fabric was also the wrong size – or rather, it might have fitted, had the FQ been cut on the straight. I still have that fabric with the little bit of border stitched in it. I’ll probably salvage the fabric for another project one of these days.

The third project I quit was actually a smaller project – I had convinced myself maybe I needed to start small, by this stage! I had a Dimensions Charts & Charms angel which was OK, I suppose, but in hindsight, not really to my taste anyway. This project was the one where I found I cannot count, and the reason I now grid everything but the smallest project. The froggies visited me a lot throughout the time I stitched on the angel. I probably stitched it twice over, but I only had about half of it actually done at the time I discovered yet another major error, and ruthlessly chucked it!

Heck, with a start (or 3) like that, it’s somewhat amazing I kept coming back to stitching at all :giggle: